Bought in June 2017.
First listen: 11-6-2017.
Second listen: 30-6-2017.
Third listen: 2-8-2017.
Recording dates: April 2009.
Recording venue: Großer Sendesaal des Saarländischen Rundfunks, Saarbrücken, Germany.
Recording engineer: Thomas Becher.
Running time: 55:46.
Relevance to me: Worthwhile.
Sonate in C sharp minor.
I never heard of Helen Buchholtz. Not even mentioned anywhere. She was a self taught composer and did a pretty good job at it. A woman devoting herself to composing in solitary isolation without establishing contacts to the outer world or other composers. She composed about 138 works, the scores of which were almost burned by a disinterested family after she died. Luckily a nephew of her saved them in the nick of time. And he should be praised for this,.... just imagine your lives work being thrown away by the family. Nothing was ever performed or recorded, apart from a few lieder on a label called Cid-femmes. CPO took the challenge and produced this wonderful CD with Pianoworks. That it did not sell is obvious for it landed in the super bargain bin. The music however is well worth your attention and the modest outlay should be an incentive to get it. Late romantic music, it never strays from the tonal path, and all kind of modernities are kept at bay. Which is very much okay with me. It is simply a continuation of a heritage of beautiful music from the 19th century and not at all outmoded. Do not expect great contrasts in expression or huge dynamics. It is wonderfully confiding music, unerringly paced. Soulful and deeply intimate, there is a deep seated understanding of the music of her past. Many reflective moods, through which she is carefully navigating. There is a suppleness and flexibility of phrase, and many tints and shades of tone. Subtle with a distinctive imagination, she brings in the lightness of Schumann, and the playfulness of Chopin. Marco Kraus is perfectly articulating all what is on offer, with a communicative flair. No exaggeration in expression, but the skill to apply colour and blend at the same time. All this said, I am ready to admit that I am quite taken by Helen Buchholtz music, and I hope more of her work will be recorded.
Very much recommended.
My last integral set, unless Christopher Herrick's Hyperion set is re-released, which I think is doubtful, or finally Ewald Kooimans ...
A fine disc. This is my second rerun, and I stick to my first review, which was quite a positive one. First review of this disc. ...
From the 206 titles available in the BIS sale, there were not many of interest for me. A lot of new composers, but their modernity was a tad...
New acquisition. Date of purchase: July 2017. First listen: 20-7-2017. Second listen: 2-8-2017. Label: Analekta. Recording dates: S...
New acquisition. Date of purchase: July 2017. First listen: 25-7-2017. Second listen: 7-8-2017. Label: Oehms. Recording dates: Sept...
New acquisition. Date of purchase: August 2017. First listen: 11-8-2017. Label: Querstand. CD 3 from 13. Recording dates: May 1998. Ve...
New acquisition. Date of purchase: July 2017. First listen: 21-7-2017. Second listen: 3-8-2017. Label: Analekta. Recording dates: Ju...
Last Saturday I went to Kantens and Middelstum, to listen to a Husz and Petrus van Oeckelen organ. I never heard a Husz or Huis organ before...
New acquisition. Date of purchase: November 2016. First listen: 8-8-2017. Label: Zig-Zag Territoires. Recording dates: April 2007. R...
New acquisition. Date of purchase: November 2015. First listen: 11-8-2017. Label: Brilliant. CD 10 from 12. Recording dates: April/May/...
New acquisition. Date of purchase: July 2017. First listen: 26-7-2017. Second listen: 31-7-2017. Label: Analekta. Recording dates: S...